On Paper
What Size Art Should Go Above a Sofa?
What Size Artwork Should You Hang Above a Sofa? The wall above a sofa is one of the most common places to hang artwork—and one of the easiest places to choose something too small. The goal isn't to fill every centimetre of wall. It is to make the sofa and artwork feel visually connected. Why scale matters A sofa is a substantial piece of furniture. Place a very small artwork above it and the two objects can look disconnected. The artwork appears to float rather than anchor the space. Increasing the size immediately gives the composition more presence. This doesn't necessarily mean choosing the largest artwork available. It means choosing a piece with enough visual weight for the furniture below it. One artwork or several? For a clean contemporary room, one large framed artwork is often the simplest solution. It creates a clear focal point and allows the art itself to command attention. A pair can work beautifully above a wider sofa, especially when the artworks share a visual relationship. A gallery wall works when you want something more informal and collected, but it requires greater attention to spacing and composition. Think about the frame too Remember that the dimensions of an art print aren't necessarily the final dimensions on your wall. Mounting and framing add size. That can actually help when you're trying to give an artwork more presence above large furniture. Before ordering, check the finished framed dimensions rather than looking only at paper size. Landscape, portrait or square? A landscape-format artwork naturally follows the horizontal line of a sofa and is often the easiest choice. But it isn't the only one. A large square piece can look particularly strong above a compact sofa. Two portrait works side by side can create similar width while introducing vertical movement. The composition of the artwork matters just as much as the shape of the frame. Give the artwork breathing room Large art doesn't mean covering the entire wall. Negative space around a piece helps establish its importance. A substantial artwork surrounded by clean wall space can feel far more considered than several smaller pieces added simply because there was room. Measure before you buy Use masking tape to mark the proposed artwork dimensions directly on the wall. Live with the outline for a few hours. Stand at the entrance to the room. Sit on the sofa. Look at it from the adjoining space. You'll understand the scale far more easily than you will from dimensions written on a product page.
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What Is a Limited Edition Print? A Collector's Guide
The term "limited edition" gets used loosely — stamped on posters, home goods, even mugs. In the art world, it means something specific, and understanding that distinction is one of the most useful things a new collector can learn. The definition that matters If you've ever seen an art print marked 12/150 or 48/100, you've encountered a limited edition. Unlike an open-edition print that can continue to be reproduced indefinitely, a limited edition is produced in a predetermined quantity. Once that edition has been completed, no further prints should be produced as part of that edition. A true limited edition print is produced in a fixed, predetermined run — say, 150 copies — and once that run is complete, it is never reproduced again. No reprints, no "part two," no quiet extension of the run if demand is high. The number is a promise, not a marketing figure. Each print in the run is individually numbered, typically written as a fraction: 24/150 means the 24th print pulled from a total run of 150. Prints are usually signed by the artist by hand, and often accompanied by a certificate of authenticity confirming the edition size, the medium, and the artist's signature. Are limited edition prints signed? Many are. A signed limited edition creates a more direct relationship between the physical print and the artist who created the work. At artfables, limited edition prints are individually numbered and accompanied by a certificate of authenticity, with editions closed once they have sold out. How this differs from an open edition An open edition print has no cap. It can be produced indefinitely, for as long as there's demand — which is exactly what makes it inexpensive, and exactly what it will never be scarce. Open editions are perfectly good decorative prints. They are not, in any meaningful sense, collectible in the way a numbered, closed run is. The difference isn't really about exclusivity for its own sake. It's about permanence. A limited edition is a fixed object in time — the artist made a decision about how many would ever exist, and stood by it. What determines a limited edition's value A few factors matter more than others: Run size. A run of 25 behaves differently than a run of 500. Smaller runs tend to hold and grow in value more predictably, simply because there is less supply to satisfy demand. The artist's ongoing body of work. Editions from artists who continue to develop and show new work tend to matter more over time than one-off releases from artists who never produce again. Print number, sometimes. Early numbers in a run occasionally carry a small premium, particularly for hand-pulled processes where the earliest prints are closest to the artist's original intent — though this matters less than people assume. Condition and documentation. A print with its original certificate of authenticity, kept out of direct sunlight and handled properly, will always be worth more than one without provenance. What to ask before you buy Any seller offering a genuine limited edition should be able to tell you, without hesitation: the total run size, the print number of the specific piece, the medium and paper or canvas used, and whether a certificate of authenticity is included. If those answers are vague, treat the "limited edition" label with real skepticism. A numbered print is a small kind of promise — that what you're buying is one of a fixed, finite few, and will stay that way. That promise is the whole point.
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What Is Expressive Art? Understanding Emotion-Driven Painting
Some paintings ask you to look. Expressive art asks you to feel first and look second. It's one of the most emotionally direct categories in painting — and one of the most frequently confused with abstract art. Here's what expressive art actually means, where it comes from, and why collectors keep returning to it. What Is Expressive Art? Expressive art — often called expressionism — is work created to convey emotion and inner experience rather than to accurately represent the outside world. The subject matter can be figurative (a face, a body, a landscape) or fully abstract; what defines the category isn't the presence or absence of a recognisable subject, but the priority given to feeling over precision. In expressive painting, distortion, bold colour, energetic brushwork, and dramatic composition aren't flaws — they're the point. A face might be elongated or exaggerated. A sky might be a colour no sky has ever actually been. The goal isn't accuracy; it's impact. Expressive Art vs. Abstract Art: What's the Difference? This is one of the most common points of confusion, so it's worth being precise: Abstract art is defined by the absence of a recognisable subject. Expressive art is defined by an emphasis on emotional intensity, which can exist with or without a recognisable subject. A painting can be both — an abstract composition rendered with raw, emotional brushwork is both abstract and expressive. But a portrait rendered with distorted proportions and intense colour to convey anguish or joy is expressive without being abstract at all. The two terms describe different things: one is about subject matter, the other is about intent and execution. A Short History of Expressionism Expressive painting has roots stretching back through art history, but it crystallised as a defined movement in the early 20th century, when artists across Europe began prioritising psychological and emotional truth over naturalistic representation. The movement later found new life in mid-century American painting, where large-scale, gesture-driven canvases turned the act of painting itself into an expressive event — every mark on the canvas a record of the artist's emotional and physical state in the moment of creation. That lineage continues today. Contemporary expressive artists still work in this tradition, using colour, mark-making, and composition to translate feeling directly onto the canvas. Why Expressive Art Resonates With Collectors It feels honest. Expressive work doesn't try to flatter or decorate — it communicates something real, which is part of why it holds up to repeated viewing. It changes with you. A piece that reads as energetic on one day might read as melancholic on another, depending on what you bring to it. It's deeply personal to collect. Choosing an expressive piece is less about matching a room and more about connecting with a specific emotional register — which is exactly why collectors often describe expressive pieces as the ones they feel most attached to. What to Look For When Collecting Expressive Art Emotional resonance first. Notice your immediate, pre-analytical reaction to the piece. Technical confidence. Expressive work can look loose, but skilled expressive painting has clear control beneath the apparent spontaneity — colour choices, mark-making, and composition all working together. Consistency with the artist's broader body of work. Understanding an artist's creative philosophy and process helps contextualise a single piece within their larger practice. Scale and presence. Expressive work often benefits from room to breathe — consider how the piece will command space, not just fill a wall. Frequently Asked Questions Is expressive art the same as expressionism? Yes — "expressive art" and "expressionism" are generally used interchangeably to describe work that prioritises emotional communication over realistic representation. Can expressive art be figurative? Absolutely. Expressive art can depict a person, place, or object — what makes it expressive is the emotional intensity and stylistic distortion applied to that subject, not whether a subject exists at all. What makes expressive art different from realism? Realism aims for visual accuracy. Expressive art intentionally departs from accuracy — through colour, proportion, or brushwork — to communicate feeling rather than replicate appearance. Why do collectors gravitate toward expressive pieces? Because they tend to form a more personal, immediate connection than technically "neutral" work. Collectors often describe expressive paintings as the pieces in their collection that feel the most alive. How do I choose an expressive painting for my home? Start with emotional response rather than colour-matching. Expressive work is meant to be a focal point — choose a piece that resonates first, then consider how the space around it can support that energy. Discover original expressive paintings and limited edition prints from the artfables collection.
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Size Doesn't Matter: Why a Curated Piece Will Always Outlast a Big, Cheap Canvas
There is a certain kind of purchase that feels satisfying in the moment and forgettable within a year. An oversized canvas print, chosen because it fills a wall and costs little to do it, is one of the most common examples in home design. It solves a problem — the blank space above the sofa — without ever asking a more interesting question: what do you actually want to live with? At artfables, we believe that question is worth asking. And we believe the answer is rarely "whatever is biggest and cheapest." The Illusion of Scale Large-format canvas prints are appealing for an obvious reason: they make an immediate visual statement. A six-foot-wide piece commands a room in a way a modest 16x20 cannot, at least not on first glance. But scale is not the same as quality, and a large empty gesture is still empty. Most of these prints are not created by an artist with a point of view. They are stock imagery, licensed in bulk, printed on demand, and shipped from large-volume manufacturing facilities — a significant share of them overseas, optimised for cost and speed rather than craft. The canvas is thin. The inks fade unevenly, often within a few years of normal sunlight exposure. The stretcher bars warp. There is no edition, no numbering, no artist to speak of — because the image was never meant to be collected. It was meant to be sold in volume and replaced without much thought. That's not a flaw in any single product. It's the entire model. Volume and permanence are opposing goals, and when a business is built around the first, the second is the first thing to go. What Curation Actually Buys You Choosing a curated piece — an original painting or a strictly limited edition print — is a different transaction entirely. It buys you intention. A curated piece has passed through a filter: an artist's eye, a considered composition, a reason for existing beyond decorating a wall. When you choose it, you're not filling space. You're making a decision about what you want to look at every day, and why. It buys you durability. Work produced in small runs, on archival materials, with attention to pigment and process, is built to be lived with for decades — not replaced when the color shifts or the corners fray. A well-made piece on the right substrate, framed and cared for properly, can outlast the room it's hanging in. It buys you scarcity that means something. A limited edition — numbered, capped, never reprinted once the run is closed — has a ceiling on how many exist in the world. That's not a marketing device. It's a structural fact that shapes the piece's meaning and its value over time. A print that anyone can reorder indefinitely is not scarce; it's simply inventory. It buys you a story. Every piece in a considered collection connects to a person — a working artist with a process, a perspective, and a body of work it belongs to. That context is part of what you're bringing into your home. A factory print has no such story, because there was never anyone to tell it. A Smaller Piece, Chosen Well, Beats a Large Piece Chosen Carelessly This is worth saying directly: a well-chosen 20x24 original will do more for a room — and hold its value and integrity longer — than an oversized print bought to solve a spatial problem. Scale can absolutely be part of a considered choice; large-format originals and editions have their place, and can anchor a room beautifully. But size should follow the decision to collect something meaningful, not substitute for it. The difference shows up over time. A curated piece tends to become more interesting to live with, not less — you notice new things in it a year in, five years in. A decorative print, by contrast, tends to fade into wallpaper almost immediately, precisely because it was never asking to be looked at closely in the first place. Supporting the Artist Behind the Work There's also a simpler case to be made, separate from questions of longevity or aesthetics: when you buy a curated original or limited edition, you are supporting an artist's practice directly. That purchase has a place to land — it funds the next body of work, sustains a career, and keeps the work of building a distinct creative voice viable. A mass-produced print, licensed once and reproduced indefinitely by a manufacturer, does none of that. The economics simply don't run in that direction. Collecting, at its best, is a quiet form of patronage. It says: this perspective is worth continuing. What to Look For When Choosing a Piece If you're moving away from decorative prints and toward a more considered approach to art in your home, a few things are worth paying attention to: Edition size and numbering. A true limited edition states how many exist and where a given piece falls in that run. If a "limited" print can be reordered at any time, it isn't actually limited. Certificate of authenticity. This is standard practice for both originals and legitimate limited editions, and it matters for provenance and future value. Materials. Archival paper, artist-grade pigments, and proper canvas or panel construction are the difference between a piece that lasts and one that doesn't. The artist's body of work. A single image tells you little. A consistent creative perspective across multiple pieces tells you the work comes from an actual practice, not a one-off asset. Fit with intention, not just wall space. Choose the piece first. Let the wall accommodate it — not the other way around. The Wall Above the Sofa Isn't the Point A home filled with curated work looks different from one filled with décor, even when the difference isn't immediately obvious to a visitor. It reads as considered. It ages well. And it tends to mean more to the person living with it, because it was chosen rather than defaulted into. Size was never really the question. The question is whether what's on your wall was made by someone, for a reason — or simply printed, in bulk, to fill it.
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What Is Abstract Art? A Collector's Guide to Meaning, Movements, and Value
Abstract art is one of the most searched, most misunderstood, and most collected categories in the art world. Walk into any serious collection and you'll likely find it anchored by at least one abstract piece — not because it's trendy, but because abstraction does something representational art can't: it lets colour, form, and gesture speak before the mind has time to name what it's looking at. This guide breaks down what abstract art actually is, where it came from, and what to look for if you're considering it for your own collection. What Is Abstract Art, Exactly? Abstract art is work that doesn't attempt to represent an accurate depiction of visual reality. Instead of a recognisable object, landscape, or figure, an abstract painting uses shapes, colour, line, texture, and composition to create an effect, emotion, or idea. That doesn't mean abstract art is random. The best abstract work is built with the same discipline as any representational painting — it's just organised around feeling and structure rather than resemblance. A collector looking at an abstract canvas is responding to balance, rhythm, and tension in the same way a listener responds to music: there's no "subject," but there's absolutely a language. Abstract art typically falls into a few broad approaches: Geometric abstraction — built from defined shapes, grids, and hard edges Gestural or expressive abstraction — built from movement, brushwork, and spontaneity Colour field — built from large, immersive planes of colour designed to be experienced rather than analysed Minimalist abstraction — stripped-down composition where restraint itself is the statement A Brief History of the Movement Abstract art emerged in the early 20th century as artists began breaking from centuries of representational tradition. Pioneers explored the idea that a painting didn't need to depict anything recognisable to carry emotional or spiritual weight. Over the following decades, the movement branched into distinct schools — from the geometric precision of European modernism to the large-scale, emotionally charged canvases that defined mid-century American painting. What's remained consistent across a century of abstraction is the core idea: meaning doesn't require a subject. It can live entirely in how a piece is made. Why Collectors Are Drawn to Abstract Art Abstract work tends to hold a particular kind of staying power in a collection. A few reasons collectors consistently return to it: It's adaptable. Abstract pieces read differently depending on the room, the light, and the viewer's mood — which keeps the work feeling alive rather than static. It rewards proximity and distance. Many abstract paintings reveal texture and layering up close, then resolve into composition from across the room. It's a statement of taste, not just decor. Choosing abstract work signals confidence — it's a piece selected for how it makes you feel, not because it matches a sofa. Original and limited edition abstract pieces tend to be conversation starters, which matters if you're building a collection meant to be lived with and discussed. How to Choose an Abstract Piece for Your Collection There's no universal formula, but a few questions help most collectors narrow in: Does it hold your attention without a caption? If you find yourself studying it rather than glancing past it, that's a strong sign. What's the composition doing? Look at balance, movement, and where your eye is pulled first. Does the palette work with your space — or against it in a way you like? Abstract work can either anchor a room or intentionally disrupt it. Is it an original or a limited edition? Both are valid ways to collect, but they carry different considerations around exclusivity and long-term value. Frequently Asked Questions Is abstract art just "anything goes"? No. While abstract art doesn't depict recognisable subjects, it still relies on intentional choices around composition, colour theory, and technique. What looks spontaneous is often the product of significant skill and editing. What's the difference between abstract and expressive art? Abstract art refers to the absence of a recognisable subject. Expressive (or expressionist) art refers to work — abstract or figurative — that prioritises emotional intensity over realism. The two overlap often but aren't the same thing. How do I know if an abstract painting is "good"? Look at composition, use of space, and whether the piece feels resolved rather than accidental. Beyond technique, the most reliable measure is your own response: does it hold your attention, and does it still feel interesting after the tenth viewing? Is abstract art a good investment? Original works and true limited editions — numbered, never reprinted, accompanied by a certificate of authenticity — tend to hold their significance within a collection over time. As with any art purchase, buying what genuinely moves you is the foundation; long-term value follows from scarcity, quality, and provenance. Why is abstract art often more expensive than realistic paintings? Price reflects the artist's skill, reputation, originality, and the scarcity of the piece — not how long it took to paint or how "simple" it may look. A confident, resolved abstract composition is often the result of years of refinement. Explore original abstract paintings and limited edition prints from the Artfables collection.
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Artist Spotlight: In Conversation with Neve Calloway
Before she ever had a full-time studio, Neve Calloway was painting theatre sets and murals for cafés and record stores — scrappy, make-it-work jobs that still shape how she approaches a canvas today. Her expressive, colour-driven abstracts are built fast, in layers, often revised dozens of times before she's satisfied. We caught up with her about process, colour, and the wall of paintings she isn't finished with yet. artfables curator: You spent your twenties doing odd creative jobs — set painting, murals for cafés and record stores. How did that shape the way you paint now? Calloway: Completely. When you're painting a mural on a deadline, or building a set that has to hold up under stage lights by Friday, you learn to work fast and trust your instincts, because there's no time to overthink it. That scrappy energy never really left me. I still paint that way — quickly, confidently, across the whole canvas at once rather than working one corner at a time. artfables curator: Your canvases apparently go through a lot of changes before they're finished. What does a piece look like halfway through? Calloway: Honestly, it can look like a completely different painting. I'll lay down a layer, live with it a while, then paint right over parts of it if it's not saying what I need. A piece might go through a dozen different versions of itself before I call it done. What you see at the end is really just the last decision in a long conversation with the canvas. artfables curator: You work with big brushes, palette knives, sometimes your hands. Why that approach? Calloway: I want as little distance as possible between what I'm feeling and what ends up on the canvas. Fine detail work has its place, but it's not mine — I'm after immediacy. Hands and big brushes and knives let me move fast and stay honest. If I overthink a mark, it usually shows. artfables curator: Tell us about the wall of "unfinished attempts" in your studio. Calloway: It's exactly what it sounds like — a wall of pieces I haven't given up on but haven't solved yet. I'll leave something there for months, sometimes longer, and come back to it once I've figured out what it's missing. Some of my favourite finished paintings sat on that wall for the better part of a year before I knew what to do with them. artfables curator: How do you choose colour? Do you plan a palette in advance? Calloway: Almost never. I don't paint a colour because it matches something. I paint it because the canvas asked for it right then. If I try to plan a palette ahead of time, the painting usually fights me. I'd rather respond in the moment and let the piece tell me what it needs next. artfables curator: What do you want someone to feel when they bring one of your paintings home? Calloway: I want it to have some energy in the room — something that doesn't just sit quietly in the background. My hope is that people notice something new in it every so often, long after they've hung it, the same way I kept noticing new things while I was making it. artfables curator: Any advice for someone just starting to collect, especially if they're drawn to colour-driven work like yours? Calloway: Trust the piece that actually stops you, not the one that seems safest. Colour is emotional — it hits people differently, and there's no universally "right" palette to collect. If a painting genuinely holds your attention, that reaction is worth more than any advice about what's supposed to work in a room. Discover the full collection by artist Neve Calloway exclusively to artfables
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How to Start an Art Collection: A Beginner's Guide
You don't need a gallery contact, an advisor, or a spare room to begin collecting art. You need a wall, a little patience, and a willingness to buy what you actually love before you worry about anything else. Here's how to start well. Buy what stops you, not what's trending The biggest mistake new collectors make is buying for someone else's taste — a colour scheme they read about, an artist everyone's mentioning, a piece chosen to impress a guest rather than to live with. Trends fade. Your own eye doesn't. If you stand in front of a piece and find yourself looking longer than you meant to, that's the signal worth following. Set a budget — and treat it as a floor, not a ceiling You don't need to spend a fortune to begin seriously. A single strong original or a well-chosen limited edition print, bought within a budget you're comfortable with, teaches you more about collecting than a dozen pieces bought on impulse. Decide what you're willing to spend before you start looking, and let that number narrow your search rather than limit your ambition. Understand what you're actually buying Before any purchase, ask a few simple questions: Is this an original or a print? If it's a print, is it a true limited edition — numbered, capped, never reprinted — or an open edition that can be produced indefinitely? Does it come with a certificate of authenticity? Who is the artist, and is there a consistent body of work behind this one piece? A source who can answer these clearly, without hedging, is a source worth buying from. Live with a piece before you chase the next one New collectors often want to fill every wall at once. Resist that. Bring a piece home, hang it, and give it a season before adding another. You'll start to notice how your taste is actually built — which colours you return to, which subjects hold your attention, which pieces recede into the background. That knowledge is worth more than any buying guide. Let your collection tell a story, not match a palette A collection isn't a furniture set. It doesn't need to match. The most interesting collections, built over years, tend to hold together not because every piece shares a colour palette but because every piece was chosen with the same honesty — bought because it meant something, not because it fit. Mix mediums. Mix artists. Let the collection reflect how your eye has changed over time, because it will. Start small, start now The collectors who end up with the most interesting walls almost never started with a plan. They started with one piece they couldn't stop looking at, and let the rest follow. That's the only real first step — everything else is refinement.
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Top 10 Limited Edition Prints to Elevate Your Home
Building a collection doesn't mean starting with an original — for many collectors, a limited edition print is the first step into a lifelong relationship with an artist's work. Each print in the artfables collection is produced in a strictly numbered run of 150, never reprinted once the edition closes, so what you're bringing home isn't a poster — it's a considered, finite piece of a larger body of work. Here are ten prints from the collection worth knowing, and why each one earns its place on a wall. 1. Spill The Beans — Danny Cruz — £265 A stylised, retro colour-block take on a Heinz Beanz can — Pop Art built from the everyday, not the exotic Bold and saturated, making it a natural focal point in a kitchen, hallway, or home office A good entry point for a collector who wants a piece with personality and craft, not just colour Best hung as a single statement piece rather than grouped 2. Rhythm 3 — Femi Okoro — £300 A grid of organic, loop-like gestures in black, brown, and beige Carries real motion — the rhythm of the artist's hand is visible in every repeated form Suits a hallway, staircase, or transitional space that benefits from directional energy Neutral enough to sit comfortably alongside warmer or cooler palettes elsewhere in the room 3. It Will Be Okay Again — Ingrid Solberg — £250 An impressionistic, cloud-heavy sky over calm water, rendered with real atmospheric weight Quiet and contemplative — a strong choice for a bedroom, study, or reading corner Pairs naturally with natural materials — linen, raw oak, stone Part of a loose two-piece pairing with "It Will Be Okay," for a collector who wants to build a themed grouping 4. I Will Remember You — Sarah Whitfield — £350 Textured, layered brushstrokes in beige, black, brown, and soft pink Earthy rather than sweet — the pink reads as considered, not decorative Suited to a living room or bedroom where you want warmth without an obvious focal colour A strong choice for a collector building toward a more textural, tactile wall 5. Hide & Seek — Théo Marchand — £350 A modern concrete building façade abstracted into clean geometric form Structured and architectural — a deliberate contrast to softer, more painterly work elsewhere in a home Ideal for an entryway, office, or any space with strong existing architectural lines Reads equally well in a modern apartment or a converted industrial space 6. Waiting For You — Rosa Adair — £300 A misty, abstracted coastal scene in muted grey, beige, and blue Atmospheric rather than literal — it suggests a place without depicting one directly A natural fit for homes near water, or simply for collectors drawn to a cooler, more reflective palette Complements raw wood, stone, and unbleached linen 7. Crator — Otto — £225 Expressive black-and-white brushstrokes over a warm beige ground Confident and gestural, with the negative space doing as much work as the mark itself A favourite for collectors building toward a more monochrome, gallery-style wall Scales well — strong as a single piece, equally effective as part of a grouping 8. Eyes Closed — Neve Calloway — £190 Soft, painterly brushwork in teal, pink, peach, and cream Built from fast, intuitive layering — the immediacy of the process is visible in the finished piece Brings warmth and movement to an otherwise neutral or minimalist room One of the more approachable entry points in the collection, both in price and mood 9. Stillness — Mireille Laurent — £290 Vertical brushstrokes in beige, cream, white, black, and soft green Restrained and unhurried, with a quiet, almost meditative rhythm to the composition Well suited to a bedroom or reading nook — a piece to be lived with rather than noticed all at once A strong choice for a collector who wants abstraction with a calmer, more classical foundation 10. The House II — Kate Stone — £185 Blocks of beige, taupe, black, and grey arranged into clean, minimal geometry Precise and architectural — a deliberate counterpoint to the more painterly pieces on this list Suits a study, office, or any space where you want structure without noise Pairs particularly well with Théo Marchand's "Hide & Seek" for a collector building a geometric grouping Choosing Between Them Rather than starting with "what matches my sofa," start with which of these ten pulls you back a second time. A limited edition print is meant to be lived with, not just placed — and with only 150 numbered pieces in each run, the ones that speak to you now won't be available indefinitely. Each print listed here is part of a numbered, closed edition. Once a run of 150 is complete, it will not be reprinted. Discover the full collection of limited edition prints
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5 Ways To Choose Art For Your New Home
Moving into a new house or wrapping up a renovation is exciting — but there's often one room-by-room decision that gets left for last: the art. Blank walls can make even a beautifully finished home feel unfinished. The good news is that choosing art doesn't have to be overwhelming. Here are five practical ways to pick pieces that feel intentional, personal, and right for your space. 1. Start With the Mood You Want to Create Before you fall in love with a single piece, think about how you want each room to feel. A bedroom might call for soft, calming tones and quiet compositions, while a living room where you entertain guests could handle bolder colours or a striking statement piece. Walk through your home room by room and jot down one word for the mood you're after — "restful," "energetic," "warm," "airy." Let that word guide your choices instead of shopping randomly and hoping things fit later. 2. Let Your Existing Palette Lead the Way Your new home already has a colour story, whether it comes from your walls, flooring, furniture, or natural light. Rather than choosing art in isolation, pull two or three key colors from your space — a rug, a couch, a tile backsplash — and look for artwork that either echoes those tones or offers a deliberate, complementary contrast. This doesn't mean everything needs to match perfectly; a little tension between art and decor can actually make a room more interesting. The goal is coherence, not uniformity. 3. Think About Scale Before Subject Matter One of the most common mistakes people make is choosing art that's too small for the wall it's meant to fill. A general rule of thumb: art should take up roughly 60–75% of the width of the furniture it hangs above, like a sofa, console table, or bed headboard. For large, empty walls, consider an oversized single piece, a diptych or triptych, or a gallery wall of smaller works arranged together. Measure your wall space first, then shop — it will narrow your options and save you from a piece that gets lost or overwhelms the room. 4. Choose Pieces That Reflect You, Not Just a Trend It's easy to default to whatever's popular at the moment, but art you'll love for years should say something about you — your travels, your interests, a colour you're drawn to, a memory you want to hold onto. Mix it up: original paintings, photography, prints, textiles, or even meaningful objects framed as art all count. A home feels most finished when the art on the walls tells a story that's actually yours, rather than one borrowed from a showroom. 5. Buy Once You're Living in the Space It's tempting to shop for art before you've even moved in, but rooms often reveal themselves differently once you're actually living in them. Natural light shifts throughout the day, furniture gets rearranged, and your sense of how a room is used can change. Give yourself a few weeks to settle in before committing to major art purchases. Blank walls aren't a failure — they're an invitation to choose thoughtfully instead of quickly. A Quick Word on the Rest of Your Decor Art doesn't exist in a vacuum — it works best as part of a considered whole. As you settle into your new or renovated home, keep these finishing touches in mind: Sofas: Your sofa often anchors the whole room, so choose it before finalizing smaller decor. Prioritise comfort and durable, easy-to-clean fabric if you have kids or pets, and pick a neutral base if you plan to change accent colors often. Lighting: Layer your lighting with a mix of overhead fixtures, table lamps, and floor lamps rather than relying on one central light. Warmer bulbs (around 2700K–3000K) tend to create a cosier atmosphere in living spaces and bedrooms. Rugs: A rug should be large enough that at least the front legs of your furniture rest on it — too small a rug can make a room feel disjointed. Choose materials suited to the room's traffic, like wool or synthetic blends for high-use areas. Decorations: Smaller touches — vases, books, candles, plants, and trays — help tie a room together once the big pieces are in place. Add them gradually rather than all at once, and don't be afraid to leave a little visual breathing room. Furnishing and decorating a home is rarely a one-weekend project — and that's okay. Take it room by room, trust your own taste, and let your space evolve naturally over time.
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