Whitcombe studied fine art in London before spending several years working as a colour consultant, advising on palettes for interior and product design — a background that gave her an unusually technical, almost scientific understanding of how colour behaves in relation to form and space. That grounding shows in her paintings: each composition is built through careful, deliberate decisions about how shapes, colours, and proportions sit against one another, treating the canvas less as a scene to depict than a set of relationships to resolve. She works through numerous studies before committing to a final piece, testing different arrangements the way a designer might test a layout, but the finished paintings retain a loose, painterly hand rather than a rigid or overly planned feel. She's drawn to the tension between structure and intuition — starting with a considered sense of balance, then allowing a degree of spontaneity into the final layers so the piece doesn't feel overworked. "Composition is the part people notice least and feel the most," she says. "If it's working, you won't even know why."
Whitcombe studied fine art in London before spending several years working as a colour consultant, advising on palettes for interior and product design — a background that gave her an unusually techni...


